Licensing is a 70 billion dollar industry, with the licensing of art comprising 10 percent of the licensing revenue total. Even though it appears to cause added work and effort, an artist licensing agreement will save you money and time in the end. A licensing agreement should be present in your art-related livelihood because it is a vital part of the growth of your business. You are selling the permission to use the work in a way that you approve of for a set length of time. When granting a client a license to use your work, you aren't selling the work. The right to create offshoots of your work that is originally based on your workīecause those rights belong to you, as an artist, they will never be stripped from you.The right to publicly display your work.The right to change or modify your work.The right to produce copies of your work. As sole owner, you retain several absolute rights for the works you produce under the Copyright Act. Whether you become involved in an artist licensing agreement for a short amount of time, or permanently, you still own the rights to your work. The Artist's Right to Protect Their WorkĪs an artist and the creator of your works of art, you are the sole owner of your work's copyright, until you sell or transfer the copyright to another entity. As an artist, when you offer your work to a potential client for use, or a client approaches you to use your work, a licensing agreement is vital for the protection of yourself and the propriety of your work against a client who might use your work without your knowledge or permission in a way you don't approve. Determined by the artist, the terms of the licensing agreement are clear, making the conditions explicit as to how the "licensee" is able to use the artwork and the artist's compensation for its use.Īrtists frequently overlook the fact that they deserve some kind of compensation by collectors or clients for the utilization of their creations. Collaboration between the Montana Museum of Art and Culture, the University of Montana Press, Farcountry Press, and the artist himself makes this boxed-edition book available.An artist licensing agreement is an accord where an artist gives a client permission to use their artwork by allowing them to acquire a license for promotional purposes to bolster a product or service. Charles Fritz’s artwork has been shown in solo exhibitions across the American West, including at virtually all major museums along the Lewis and Clark Trail, and his works are part of permanent collections in museums from Albuquerque to New York City, from Billings to Denver to Cincinnati. The volume includes an introduction by UM History Professor Emeritus, Harry Fritz. Fritz’s artworks are complemented both by informative quotes from the journals of Lewis and Clark and other members of the Corps and by fascinating historical vignettes that illustrate and provide information about the Expedition’s trials, tribulations, and triumphs, some of which come from the work of the late historian Stephen Ambrose. Louis where the Missouri River flows into the Mississippi. The paintings are presented in chronological order as the Corps moved West in search of the Pacific Ocean and then returned home to St. The paintings collected here follow the legendary Lewis and Clark Expedition. The artist Charles Fritz, born in 1955, grew up in Iowa and moved to Montana in 1980 to pursue his art full-time. Ambrose Introduction by Harry FritzĪ co-publication with Farcountry Press, Helena, Montana By Charles Fritz In Collaboration with Stephen R.
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